Born 1970, Baltimore. Lives and works in New York City.
Nel Mezzo, Tanya Leighton, Berlin
Echo, Moderna Museet, Stockholm
If They Should Ask, Rittenhouse Square, Philadelphia
In My Little Corner of the World, Anyone Would Love You, The Common Guild, Glasgow
In My Little Corner of the World, Anyone Would Love You, Studio Voltaire, London
Mapping the Collection, Museum Ludwig, Cologne (forthcoming)
Glasgow International, Glasgow (forthcoming)
Read My Lips, Museum of Fine Arts, Boston
The Politics of Rhetoric, The Print Center, Philadelphia
Nothing Will Be As Before, Tanya Leighton, Berlin
Artists for Studio Voltaire, Studio Voltaire, London
Everything Else Has Failed! Don’t You Think It’s Time For Love?
In ‘Everything Else Has Failed! Don’t You Think It’s Time For Love?’, five PA speakers stand in a line, like a line of speaking bodies, projecting the five addresses that Sharon Hayes spoke from a busy street corner in New York City. Emerging from the corporate headquarters of UBS in midtown Manhattan, Hayes stood at the corner of 51st St and Avenue of the Americas, at lunchtime everyday for a work week, to speak to an anonymous lover.
Beginning ‘My dear lover’ or ‘my sweet lover,’ the texts Hayes spoke were addressed to an unnamed “you” who the speaker was separated from for some unexplained reason. Woven in between comments on and about personal longing and desire, were comments about politics, war and the trauma and dislocation of living in a moment of war.
By inserting ‘private correspondence’ into a scene of public speech, ‘Everything Else Has Failed! Don’t You Think It’s Time For Love?’ provokes questions about the territory of the space of the ‘political’ and the ‘unspeakable’ as it relates to love, enforced normativity and the mythic notion of ‘free speech.’