David Diao, 2018
Delmonico books — Prestel
With contributions from Philip Tinari, Michael Corris, Pi Li, Sarah K. Rich, Felicia Chen, Kerry Doran
Recipient of the 2019 Arnaldo Pomodoro Sculpture Prize
Solo exhibition opens in Fall 2019
Galleria d'Arte Moderna, Milan
Choreographed by Omar Kholeif
The V-A-C Foundation, Palazzo Delle Zattere
New artist series
Published by Tanya Leighton, Berlin
Phaidon Contemporary Artist Series
Text by Julia Bryan-Wilson, Jeannine Tang, and Lanka Tattersall
Oliver Laric: 2000 Cliparts
Contemporary Art Museum St. Louis
18 January – 21 April 2019
The Violence of Gender
curated by Susanne Pfeffer
Tai Kwun Contemporary, Hong Kong
15 February – 28 April 2019
New Media Series — Oliver Laric
presenting Untitled, 2014-15
Saint Louis Art Museum
22 February – 27 May 2019
Halle für Kunst, Lüneburg
International Short Film Biennale
3 April 2019
Fondazione Morra Greco, Naples
Tanya Leighton is delighted to announce that the Museum of Modern Art, New York has acquired Marianne Wex's Let's Take Back Our Space: 'Female' and 'Male' Body Language as a Result of Patriarchal Structures, 1977
Tanya Leighton Gallery, Berlin, established in 2008, is dedicated to developing a cross-disciplinary, trans-generational gallery programme with off-site projects, in collaboration with artists, filmmakers, critics, art historians, and curators. Its international exhibition programme reflects a variety of opinions and practices as well as Leighton’s associations with American and British experimental cinema, artist’s film and video, performance, minimal and conceptual art.
Director: Simon Gowing
Director: Patrick Armstrong
Assistant to the Directors: Martha Glenn
Gallery Manager: Jessica Aimufua
Registrar: Henry Babbage
Finance Manager: Stefan Schuster
Tanya Leighton GmbH
Kurfürstenstraße 156 & 24/25
Open Tuesday – Saturday
11am – 6pm and by appointment
19 March – 20 April 2013, Tanya Leighton, Berlin
Tanya Leighton is pleased to present the second solo exhibition of Welsh artist Dan Rees in Berlin. Rees (b. 1982, Swansea, UK) lives and works in Berlin.
This exhibition draws together Rees’ associations around the theme of solidarity and is directly inspired by two communities; the small Welsh town of Merthyr Tydfil (near Rees' hometown of Swansea) and the Central American country of Nicaragua. Inspired by a Welsh Nicaraguan Solidarity Campaign poster from 1986 encountered in the Merthyr Tydfil Ironworks Museum, Rees became intrigued by this specific demonstration of solidarity. Despite their geographical distance and distinct histories, organisers in Merthyr Tydfil formed the Wales Nicaragua Solidarity Campaign in 1986 in support of the Sandinista Revolution. The campaign continues to work with trade unions, campaigners and community groups against the effects of neo-liberal globalisation in Nicaragua.
Accordingly, Rees extends his on-going interest in Merthyr Tydfil and its legacy of labour organisation, post-industrial poverty and attendant issues of class and solidarity. Rees brings attention to how even during the painful years of deindustrialisation (with the last ironworks closing in 1987) Welsh organisers empathised with the struggles of Sandinista revolutionaries and worked to bring this into dialogue in their local community.
This project began at the beginning of 2013, when Rees visited Nicaragua with his brother-in-law, also a native of the UK. Rees asked his brother-in-law, a technically proficient amateur photographer, to make photographs while they were there for this exhibition. The resultant images, presented large-scale, combine portraits with the landscape of their trip. The collaborative nature of this project displays Rees’ communal engagement with the theme of solidarity.
Tanya Leighton presents these photographs alongside a booklet compiled by Rees. Enclosed within the booklet are the detailed images of pamphlets and posters Rees has photographed in the archive of the National Library in Aberystwyth of the Welsh Nicaraguan Solidarity Movement.