David Diao, 2018
Delmonico books — Prestel
With contributions from Philip Tinari, Michael Corris, Pi Li, Sarah K. Rich, Felicia Chen, Kerry Doran
Recipient of the 2019 Arnaldo Pomodoro Sculpture Prize
Solo exhibition opens in Fall 2019
Galleria d'Arte Moderna, Milan
Choreographed by Omar Kholeif
The V-A-C Foundation, Palazzo Delle Zattere
New artist series
Published by Tanya Leighton, Berlin
Phaidon Contemporary Artist Series
Text by Julia Bryan-Wilson, Jeannine Tang, and Lanka Tattersall
Oliver Laric: 2000 Cliparts
Contemporary Art Museum St. Louis
18 January – 21 April 2019
The Violence of Gender
curated by Susanne Pfeffer
Tai Kwun Contemporary, Hong Kong
15 February – 28 April 2019
New Media Series — Oliver Laric
presenting Untitled, 2014-15
Saint Louis Art Museum
22 February – 27 May 2019
Halle für Kunst, Lüneburg
International Short Film Biennale
3 April 2019
Fondazione Morra Greco, Naples
Tanya Leighton is delighted to announce that the Museum of Modern Art, New York has acquired Marianne Wex's Let's Take Back Our Space: 'Female' and 'Male' Body Language as a Result of Patriarchal Structures, 1977
Tanya Leighton Gallery, Berlin, established in 2008, is dedicated to developing a cross-disciplinary, trans-generational gallery programme with off-site projects, in collaboration with artists, filmmakers, critics, art historians, and curators. Its international exhibition programme reflects a variety of opinions and practices as well as Leighton’s associations with American and British experimental cinema, artist’s film and video, performance, minimal and conceptual art.
Director: Simon Gowing
Director: Patrick Armstrong
Assistant to the Directors: Martha Glenn
Gallery Manager: Jessica Aimufua
Registrar: Henry Babbage
Finance Manager: Stefan Schuster
Tanya Leighton GmbH
Kurfürstenstraße 156 & 24/25
Open Tuesday – Saturday
11am – 6pm and by appointment
11 September – 23 October 2010, Tanya Leighton, Berlin
*"My idea is for an animation to act as a focus of a thesis, I thought of a young frog named Charles who has a melancholy donkey as a best friend, this frog likes to pass his time playing French cricket, reading extensively (poetry) and is prone to bouts of solitude, (pond)erings and passionate longings, if only he had an outlet for his thoughts... how far could these scrawny legs take him?
I like French Cricket as a title to add a bit exoticism, like French bread is better than just bread, or a French kiss is nicer than a German or even an English kiss. Here the French represents doing something wrong, someone playing cricket that looks so wrong and messed up it must be French.
Interstellar Activity is a state of being after having drunk many many cans of Stella Artois, your head spins on a axis and for a moment you feel free from the shackles and chains, free from the internal conflict between what you believe in and what you are forced to accept, between your ideas and dreams and the dead forms and phantoms, between your gut desires and what you eat…until of course it wears off and you lose all comfort and joy of life." *– Dan Rees.
Dan Rees (b. 1982 Swansea, U.K.), lives and works in Berlin. Rees studied at the Staatliche Hochschule fur Bildende Künste Städelschule, Frankfurt am Main 2007-9, and graduated from Camberwell College of Arts, London in 2004.
Recent solo exhibitions include: ‘Dan Rees’, Zinger Presents, Amsterdam (2010); ‘They Don’t Make Them Like This Anymore’, T293, Naples (2009); ‘Dan Rees / Fredrik Værslev - Shelf Paintings (Pottery in October)’, Standard (Oslo) (2009); ‘Junk On a Thing’, Johan Berggren Gallery, Malmö (2009); Art Statements, Art 40 Basel (with T293, Naples)(2009).
Recent group exhibitions include: ‘Exhibition, Exhibition’ (curated by Adam Carr), Castello di Rivoli, Turin (2010); ‘Before and After’, Balice Hertling (2010), Paris; ‘A Very, Very Long Cat’, Wallspace Gallery, New York (2010); ‘Berlin Los Angeles A Tale of Two (other) Cities’, Massimo De Carlo, Milan (2010); ‘Richard Prince and the Revolution’, ProjecteSD, Barcelona (curated by Jonathan Monk) (2009); ‘Without’, Galerie Yvon Lambert, Paris (2009); ‘Some Time Waiting’, Kadist Art Foundation, Paris (2009).