David Diao, 2018
Delmonico books — Prestel
With contributions from Philip Tinari, Michael Corris, Pi Li, Sarah K. Rich, Felicia Chen, Kerry Doran
Recipient of the 2019 Arnaldo Pomodoro Sculpture Prize
Solo exhibition opens in Fall 2019
Galleria d'Arte Moderna, Milan
Choreographed by Omar Kholeif
The V-A-C Foundation, Palazzo Delle Zattere
New artist series
Published by Tanya Leighton, Berlin
Phaidon Contemporary Artist Series
Text by Julia Bryan-Wilson, Jeannine Tang, and Lanka Tattersall
As We May Think: Feedforward
The 6th Guangzhou Triennial 2018
Guangdong Museum of Art
21 December 2018 – 10 March 2019
Oliver Laric: 2000 Cliparts
Contemporary Art Museum St. Louis
18 January – 21 April 2019
The Violence of Gender
curated by Susanne Pfeffer
Tai Kwun Contemporary, Hong Kong
15 February – 28 April 2019
New Media Series — Oliver Laric
presenting Untitled, 2014-15
Saint Louis Art Museum
22 February – 27 May 2019
Halle für Kunst, Lüneburg
International Short Film Biennale
3 April 2019
Fondazione Morra Greco, Naples
Tanya Leighton is delighted to announce that the Museum of Modern Art, New York has acquired Marianne Wex's Let's Take Back Our Space: 'Female' and 'Male' Body Language as a Result of Patriarchal Structures, 1977
Tanya Leighton Gallery, Berlin, established in 2008, is dedicated to developing a cross-disciplinary, trans-generational gallery programme with off-site projects, in collaboration with artists, filmmakers, critics, art historians, and curators. Its international exhibition programme reflects a variety of opinions and practices as well as Leighton’s associations with American and British experimental cinema, artist’s film and video, performance, minimal and conceptual art.
Director: Simon Gowing
Director: Patrick Armstrong
Assistant to the Directors: Martha Glenn
Gallery Manager: Jessica Aimufua
Registrar: Henry Babbage
Finance Manager: Stefan Schuster
Tanya Leighton GmbH
Kurfürstenstraße 156 & 24/25
Open Tuesday – Saturday
11am – 6pm and by appointment
Imitation of Lives
3 – 5 November 2017, The Glass House, Connecticut
In Imitation of Lives, Bucharest-based French artist Jimmy Robert occupies Philip Johnson’s Glass House, turning the modernist icon into a stage for an intimate performance that delves into the intersections of architecture, visibility, and black representation. Inspired by Jeff Wall’s essay Dan Graham’s Kammerspiel (1988), Robert draws on the house’s reflective qualities to devise a work for three performers engaged in a subtle game of looking and being looked at in turn.
In previous works, Robert has explored the politics of spectatorship by reworking seminal avant-garde performances in ways that complicate their racial and gendered readings. For this new performance, poetry and music are merged into a “live collage” that includes a new painting by Lucy McKenzie, and references to Harlem Renaissance cabaret singer Jimmie Daniels, who was once romantically involved with Philip Johnson; Samuel Beckett’s Quad (1981); David Hammons’ In the Hood (1993); lyrics by Josephine Baker; and texts by Jayne Cortez, Marguerite Duras, Audre Lorde, and Lorenzo Thomas. Robert’s layered performance turns the Glass House into an arena where exposure, representation, and power can be thought anew.
Imitation of Lives is co-curated by Cole Akers (The Glass House) and Charles Aubin (Performa), and co-commissioned by Performa and The Glass House for Performa 17.
The performance is supported by the Performa Commissioning Fund and FUSED (French U.S. Exchange in Dance), a program of the New England Foundation for the Arts-National Dance Project and the Cultural Services of the French Embassy in New York in collaboration with FACE (French American Cultural Exchange), with lead funding from Doris Duke Charitable Foundation, Florence Gould Foundation, the French Ministry of Culture and Communication, and private donors. Additional support provided by Andy Romer. This project has been selected and supported by the patronage committee for the arts of the FNAGP.
Jimmy Robert (b. 1975, Guadeloupe, France), trained in visual arts at Goldsmiths in London and the Rijksakademie in Amsterdam, currently lives and works in Bucharest, Romania. His oeuvre encompasses performance, photography, film, video, and drawing. Robert has exhibited at WIELS in Brussels, Palais de Tokyo in Paris, and the Dakar Biennial. Recent solo exhibitions include Museum M in Leuven (2015), The Power Plant in Toronto (2013), and MCA Chicago (2012). In 2014, as part of MoMA’s James Lee Byars retrospective, Robert performed The Mile-Long Paper Walk (1965), a performance initially danced by Lucinda Childs.
Performers: NIC Kay, Jimmy Robert, and Quenton Stuckey
Painting: Loos / De Bruycker marble (2017) by Lucy McKenzie
Costume design: Carmen Secareanu (robes) and Regina M. Rizzo (t-shirts)
Voice coach: Emily Kron
Thanks to Felix Burrichter, Ion Dumitrescu, Jason Farago, Davalois Fearon, Mario Gooden, Matthias Mau, Tom McDonough, Ben Pryor, and Mabel O. Wilson.