David Diao, 2018
Delmonico books — Prestel
With contributions from Philip Tinari, Michael Corris, Pi Li, Sarah K. Rich, Felicia Chen, Kerry Doran
Recipient of the 2019 Arnaldo Pomodoro Sculpture Prize
Solo exhibition opens in Fall 2019
Galleria d'Arte Moderna, Milan
Choreographed by Omar Kholeif
The V-A-C Foundation, Palazzo Delle Zattere
New artist series
Published by Tanya Leighton, Berlin
Phaidon Contemporary Artist Series
Text by Julia Bryan-Wilson, Jeannine Tang, and Lanka Tattersall
Oliver Laric: 2000 Cliparts
Contemporary Art Museum St. Louis
18 January – 21 April 2019
The Violence of Gender
curated by Susanne Pfeffer
Tai Kwun Contemporary, Hong Kong
15 February – 28 April 2019
New Media Series — Oliver Laric
presenting Untitled, 2014-15
Saint Louis Art Museum
22 February – 27 May 2019
Halle für Kunst, Lüneburg
International Short Film Biennale
3 April 2019
Fondazione Morra Greco, Naples
Tanya Leighton is delighted to announce that the Museum of Modern Art, New York has acquired Marianne Wex's Let's Take Back Our Space: 'Female' and 'Male' Body Language as a Result of Patriarchal Structures, 1977
Tanya Leighton Gallery, Berlin, established in 2008, is dedicated to developing a cross-disciplinary, trans-generational gallery programme with off-site projects, in collaboration with artists, filmmakers, critics, art historians, and curators. Its international exhibition programme reflects a variety of opinions and practices as well as Leighton’s associations with American and British experimental cinema, artist’s film and video, performance, minimal and conceptual art.
Director: Simon Gowing
Director: Patrick Armstrong
Assistant to the Directors: Martha Glenn
Gallery Manager: Jessica Aimufua
Registrar: Henry Babbage
Finance Manager: Stefan Schuster
Tanya Leighton GmbH
Kurfürstenstraße 156 & 24/25
Open Tuesday – Saturday
11am – 6pm and by appointment
12 December 2013 – 23 February 2014, Le Plateau, Paris
The Frac Ile-de-France / The Plateau presents the first solo exhibition in Paris of Alejandro Cesarco, a Uruguayan artist born in 1975, living and working in New York.
As part of an approach that seems to draw a form of self-portrait, Alejandro Cesarco is interested in the very translation of the feelings that one experiences in the face of the real and his works, be they videos, drawings , photographs or textual compositions, recurrently and reflexively address the problems of narration, memory and language.
In this context, the artist loudly claims his affinities, not hesitating to summon within the works some of his illustrious predecessors - from James Joyce to Roland Barthes, from Marguerite Duras to Jean-Luc Godard ... - who like him worked in this perspective.
The exhibition at Plateau is exemplary of a form of appropriation that is here pushed to the extreme: it integrates a series of works by Jack Pierson, Louise Lawler and Felix Gonzalez-Torres who occupy a primordial place in the score we play Alejandro Cesarco.
Secondary Revision: according to Freud, this is the moment when we manage to connect and give meaning to the multiple images that appear to us while dreaming. There is no doubt that this same principle of crystallization is activated here - a second reading, in short - in view of the many sources that impose themselves on the artist ...