David Diao, 2018
Delmonico books — Prestel
With contributions from Philip Tinari, Michael Corris, Pi Li, Sarah K. Rich, Felicia Chen, Kerry Doran
Recipient of the 2019 Arnaldo Pomodoro Sculpture Prize
Solo exhibition opens in Fall 2019
Galleria d'Arte Moderna, Milan
Choreographed by Omar Kholeif
The V-A-C Foundation, Palazzo Delle Zattere
New artist series
Published by Tanya Leighton, Berlin
Phaidon Contemporary Artist Series
Text by Julia Bryan-Wilson, Jeannine Tang, and Lanka Tattersall
Oliver Laric: 2000 Cliparts
Contemporary Art Museum St. Louis
18 January – 21 April 2019
The Violence of Gender
curated by Susanne Pfeffer
Tai Kwun Contemporary, Hong Kong
15 February – 28 April 2019
New Media Series — Oliver Laric
presenting Untitled, 2014-15
Saint Louis Art Museum
22 February – 27 May 2019
Halle für Kunst, Lüneburg
International Short Film Biennale
3 April 2019
Fondazione Morra Greco, Naples
Tanya Leighton is delighted to announce that the Museum of Modern Art, New York has acquired Marianne Wex's Let's Take Back Our Space: 'Female' and 'Male' Body Language as a Result of Patriarchal Structures, 1977
Tanya Leighton Gallery, Berlin, established in 2008, is dedicated to developing a cross-disciplinary, trans-generational gallery programme with off-site projects, in collaboration with artists, filmmakers, critics, art historians, and curators. Its international exhibition programme reflects a variety of opinions and practices as well as Leighton’s associations with American and British experimental cinema, artist’s film and video, performance, minimal and conceptual art.
Director: Simon Gowing
Director: Patrick Armstrong
Assistant to the Directors: Martha Glenn
Gallery Manager: Jessica Aimufua
Registrar: Henry Babbage
Finance Manager: Stefan Schuster
Tanya Leighton GmbH
Kurfürstenstraße 156 & 24/25
Open Tuesday – Saturday
11am – 6pm and by appointment
The Intellectual Work
7 September – 19 November 2011, Tanya Leighton, Berlin
Tanya Leighton is very pleased to announce 'The Intellectual Work', an exhibition by the master of Italian design Enzo Mari (b. 1932, Novara, Italy).
'The Intellectual Work' brings together a selection of paperweights Mari has been collecting for decades. They are both objets trouvés (industrial products, multiples, metal joints, discarded pieces of glass, door knobs, wood and metal samples, fossils…) and sculptural readymades assembled by Mari himself. Each one has its own weight, story and place, within Mari’s inner scenery, as he regularly uses the paperweights to keep in place the thousands of sheets of paper covered in sketches and ideas that flow around his studio.
But this is not the exhibition of a collection, nor the mere recreation of an atelier setting. Instead, the installation works as an ‘allegory’ – in Mari’s own words – of the essence of his practice, as much as of the practice of whoever undertakes ‘intellectual work’.
Throughout his life - as an artist, designer, teacher, and theoretician - Mari has investigated the role of the intellectual, the cooperation of thinking and doing, heads and hands, words and things. At the core of his working method there is the habit of saying no, an awful lot of nos (to himself in the first place, since he’s constantly unsatisfied about the results of his quest for function and beauty, but also to the pressing needs of the market). By building piles of mistakes and refusals, and holding them still with paperweights, Mari sets aside whatever doesn’t seem good enough, or durable enough, or ethical enough, in his own views, every day.
It’s within this context, that the installation will open up a series of subsequent ‘dialogues’ with the works – created specifically for this occasion – by three artists (and Mari admirers) equally challenged and informed by the notion of ‘intellectual work’ and its possible declinations: Jason Dodge, Tim Rollins and K.O.S, Pavel Büchler.