Art Basel Miami Beach
5 – 8 December 2019
Preview: 3 – 5 December
At Kurfürstenstraße 156
From 2 November 2019
Christine Roland & Ruby Barber
At Kurfürstenstraße 156
From 2 November 2019
Il Ritmo dello Spazio, curated by Stavros Katsanevas
Museo della Grafica, Pisa
12 October – 8 December 2019
Genealogías del Arte
Fundación Juan March & Museo Picasso Málaga
11 October 2019 – 12 January 2020
Bauhaus: Utopia in Crisis, curated by Professor Daniel Sturgis, Bauhaus University, Weimar
Opening January 2020
David Diao, 2018
Delmonico books — Prestel
With contributions from Philip Tinari, Michael Corris, Pi Li, Sarah K. Rich, Felicia Chen, Kerry Doran
The Politics of Rhetoric
The Print Center, Philadelphia
13 September – 16 November 2019
Phaidon Contemporary Artist Series
Text by Julia Bryan-Wilson, Jeannine Tang, and Lanka Tattersall
MMK Museum für Moderne Kunst, Frankfurt am Main, curated by Susanne Pfeffer with Anna Sailer
17 August 2019 – 16 February 2020
Out Of Order. Positions from the Haubrok Collection (Part I)
Neues Museum Nürnberg
25 October 2019 – 6 January 2020
Travelling Exhibitions Programme of 33rd Bienal de São Paulo
Museo de Antioquia, Medellín, Colombia
21 November 2019 – 26 January 2020
Infinite Sculpture: From the Antique Cast to the 3D Scan
Co-produced by the Calouste Gulbenkian Museum, Lisboa and the École Nationale Supérieure des Beaux-Arts de Paris
3 December 2019 – 16 February 2020
Beethoven – World.Citizen.Music Bundeskunsthalle, Bonn
17 December 2019 – 26 April 2020
...and other such stories
Chicago Architecture Biennial
19 September 2019 – 5 January 2020
Migrating Worlds: the Art of the Moving Image in Britain
Yale Centre for British Art, New Haven, Connecticut, USA
3 October – 29 December 2019
Screening A State of Grace
Kassel Documentary Film and Video Festival
12 – 17 November 2019
Screening A State of Grace
Exground International Film Festival, Wiesbaden, Germany
15 – 24 November 2019
Screening Slow Glass and The Black Tower
Centre de Cultura Contemporània de Barcelona, Spain
30 January 2020
A Gust of Wind (in the Low and Dark Rooms)
Fondazione Morra Greco, Naples
19 December 2019 – 22 February 2020
Feminist Avant-Garde of the 1970s. Works from the VERBUND COLLECTION, Centre de Cultura Contemporània de Barcelona, Spain
19 July – 1 December 2019
Tanya Leighton Gallery, Berlin, established in 2008, is dedicated to developing a cross-disciplinary, trans-generational gallery programme with off-site projects, in collaboration with artists, filmmakers, critics, art historians, and curators. Its international exhibition programme reflects a variety of opinions and practices as well as Leighton’s associations with American and British experimental cinema, artist’s film and video, performance, minimal and conceptual art.
Director: Simon Gowing
Director: Patrick Armstrong
Project Manager: Marie Egger
Gallery Manager: Melanie Isabel García
Registrar: Henry Babbage
Finance Manager: Stefan Schuster
Tanya Leighton GmbH
Kurfürstenstraße 156 & 24/25
Open Tuesday – Saturday
11am – 6pm and by appointment
Aleksandra Domanović: Untitled (In My Feelings)
14 December 2018 – 24 March 2019, MOCA, Cleveland, Ohio
MOCA Cleveland presents the first major US solo museum exhibition of Aleksandra Domanović (b. 1981, Novi Sad, Yugoslavia). This exhibition brings together recent sculptures and a newly commissioned film.
Domanović is widely acclaimed for her work in sculpture, video, photography, and mixed-media. Her research-based practice pays particular attention to the role of specific individuals and historic developments that emerged over the last few decades at the intersections of science and technology, with an emphasis on the underrepresented role of women.
MOCA Cleveland’s exhibition presents two ‘Votive’ sculptures, which are part of an ongoing series that explores the history of genetic engineering, and the current employment of the controversial gene-editing technology CRISPR in both plant and animal life. Her recent solo exhibitions at Tanya Leighton Gallery, Berlin (2016); Henry Moore Institute, Leeds (2017); and Bundeskunsthalle Bonn (2017) featured sculptural and photographic work made as part of her ongoing engagement with the intersection of technology, genetics, and agriculture. Complementing and building from her continued research, the artist presents a new film commissioned for this exhibition that explores the genetic-engineering of cattle for various desirable traits through an experimental fictional lens that explores art historical references and scientific touchpoints.
Also on view are the Belgrade Hand and Minsky Arm, two pioneering pieces of artificial intelligence and prosthetic technology. Presented here for the first time in 20 years outside of their permanent home at the Massachusetts Institute of Technology (MIT) Museum, these independently-invented artifacts inform and appear regularly in artist Aleksandra Domanović’s sculpture, video, and photography. Click here to read more.
Aleksandra Domanović has had solo exhibitions at Bundeskunsthalle Bonn (2017); Henry Moore Institute, Leeds (2017); Tanya Leighton Gallery, Berlin, (2016); Plug In ICA, Winnipeg (2015); High Line Art, New York (2015); Museum Boijmans Van Beuningen, Rotterdam (2015); Gallery of Modern Art, Glasgow (2014); SPACE, London (2012); and Künstlerhaus Bethanien, Berlin (2012), among others.
Selected group exhibitions include, Artificial Tears, MAK Museum für angewandte Kunst, Vienna (2017); What People Do For Money: Some Joint Ventures, Manifesta 11, Zurich (2016); Ordinary Pictures, Walker Art Center, Minneapolis (2016); Electronic Superhighway, Whitechapel Gallery, London (2016); Hecker Leckey Sound Voice Chimera, MoMA PS1, New York (2015); Concentrations 59: Mirror Stage—Visualizing the Self After the Internet, Dallas Museum of Art, Texas (2015); L'usage des forms, Palais de Tokyo, Paris (2015); Triennial: Surround Audience, New Museum, New York (2015); Shanghai Biennale, Shanghai (2014); Art Post-Internet, Ullens Center for Contemporary Art, Beijing (2014); Remote Control, ICA, London (2012); and Higher Atlas, Marrakech Biennale 4th Edition, Marrakech (2012).
Additional support for Aleksandra Domanovic: untitled (In My Feelings) is provided by Hahn Loeser & Parks LLP.
All current exhibitions are funded by The Andy Warhol Foundation for the Visual Arts and Leadership Circle gifts from anonymous donors, Yuval Brisker, Joanne Cohen and Morris Wheeler, Margaret Cohen and Kevin Rahilly, Becky Dunn, Harriet Goldberg, Agnes Gund, Michelle and Richard Jeschelnig, Donna and Stewart Kohl, Jan Lewis, Toby Devan Lewis, and Scott Mueller.
All moCa Cleveland exhibitions are supported in part by the residents of Cuyahoga County through a public grant from Cuyahoga Arts & Culture, the Cleveland Foundation, the George Gund Foundation, and the continuing support of the Museum’s Board of Directors, patrons, and members. Sherwin-Williams is the official paint of moCa Cleveland.