David Diao, 2018
Delmonico books — Prestel
With contributions from Philip Tinari, Michael Corris, Pi Li, Sarah K. Rich, Felicia Chen, Kerry Doran
Recipient of the 2019 Arnaldo Pomodoro Sculpture Prize
Solo exhibition opens in Fall 2019
Galleria d'Arte Moderna, Milan
Choreographed by Omar Kholeif
The V-A-C Foundation, Palazzo Delle Zattere
New artist series
Published by Tanya Leighton, Berlin
Phaidon Contemporary Artist Series
Text by Julia Bryan-Wilson, Jeannine Tang, and Lanka Tattersall
As We May Think: Feedforward
The 6th Guangzhou Triennial 2018
Guangdong Museum of Art
21 December 2018 – 10 March 2019
Oliver Laric: 2000 Cliparts
Contemporary Art Museum St. Louis
18 January – 21 April 2019
The Violence of Gender
curated by Susanne Pfeffer
Tai Kwun Contemporary, Hong Kong
15 February – 28 April 2019
New Media Series — Oliver Laric
presenting Untitled, 2014-15
Saint Louis Art Museum
22 February – 27 May 2019
Halle für Kunst, Lüneburg
International Short Film Biennale
3 April 2019
Fondazione Morra Greco, Naples
Tanya Leighton is delighted to announce that the Museum of Modern Art, New York has acquired Marianne Wex's Let's Take Back Our Space: 'Female' and 'Male' Body Language as a Result of Patriarchal Structures, 1977
Tanya Leighton Gallery, Berlin, established in 2008, is dedicated to developing a cross-disciplinary, trans-generational gallery programme with off-site projects, in collaboration with artists, filmmakers, critics, art historians, and curators. Its international exhibition programme reflects a variety of opinions and practices as well as Leighton’s associations with American and British experimental cinema, artist’s film and video, performance, minimal and conceptual art.
Director: Simon Gowing
Director: Patrick Armstrong
Assistant to the Directors: Martha Glenn
Gallery Manager: Jessica Aimufua
Registrar: Henry Babbage
Finance Manager: Stefan Schuster
Tanya Leighton GmbH
Kurfürstenstraße 156 & 24/25
Open Tuesday – Saturday
11am – 6pm and by appointment
25 August – 25 November 2012, Museum of Contemporary Art, Chicago
'Jimmy Robert Vis-à-vis' is the first major solo museum exhibition in the United States of work by Brussels-based artist Jimmy Robert. Born in Guadeloupe, an overseas region of France, Robert was raised and educated in Europe in the 1980s and 1990s—an era in which questions of citizenship and representation were hotly contested. Rather than creating conspicuously political artworks, Robert takes his cues from cultural figures of the recent past—avant-garde writers, filmmakers, visual artists—who were not only pioneers in their respective art forms but also deft at subtly registering the traumas and effects of their social conditions. Robert’s concern for the body—both personal and political—in addition to his interest in the poetic potential of ephemeral materials unites much of his work, which ranges in media from photography, film, and video to sculpture and collaborative performance.
Robert typically uses photographic portraitureas a starting point for his works on paper, gently breaking down divisions between two and three dimensions, image and object. In some cases Robert uses found photographs that he tears, collages, tapes, and crumples before digitally scanning them and pinning them to the wall. In other cases, Robert takes new photographs in his studio and crams them into wooden boxes or arranges them on the gallery floor. Extending into the space of the gallery, these works create a relationship to the viewer’s body while underscoring a sense of impermanence. Likewise, Robert’s sculptures are either made from wood-based materials or give the illusion of paper forms and often play with notions of value and durability.
Robert’s films and videos convey a sense of the ordinary in their scale, subject, and material. Broadly inspired by the French New Wave, the artist is also deeply influenced by feminist filmmakers such as Marguerite Duras and Chantal Akerman. Of a similarly intimate register, Robert’s dance and performance works value gesture and chance over elaborate choreography, referring to Fluxus and the Judson Dance Theater.
To create one of the works in this exhibition, Robert performs with performer, choreographer Maria Hassabi live in the galleries.
The exhibition is organized by Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago.