Born 1970, Baltimore. Lives and works in New York City.
Nel Mezzo, Tanya Leighton, Berlin
Echo, Moderna Museet, Stockholm
If They Should Ask, Rittenhouse Square, Philadelphia
In My Little Corner of the World, Anyone Would Love You, The Common Guild, Glasgow
In My Little Corner of the World, Anyone Would Love You, Studio Voltaire, London
Mapping the Collection, Museum Ludwig, Cologne
Glasgow International, Glasgow
Read My Lips, Museum of Fine Arts, Boston
The Politics of Rhetoric, The Print Center, Philadelphia
Nothing Will Be As Before, Tanya Leighton, Berlin
Artists for Studio Voltaire, Studio Voltaire, London
I Saved Her A Bullet
In 1977, Oklahoma beauty queen and singer Anita Bryant was as recognized for her critical views on homosexuality as for the ballads that had made her famous. Bryant spearheaded the political coalition Save Our Children, which successfully crusaded to overturn a Dade County, Florida, ordinance prohibiting discrimination on the basis of sexual orientation. On October 14, 1977, Bryant was speaking at a news conference in Des Moines when gay activist Thom Higgins threw a pie in her face. Bryant quipped, “At least it’s a fruit pie,” and began tearfully to pray for Higgins. Here, a still from television footage of that event appears twice: once as the physical image on the glass of the overhead projector and again as the projection. This doubling of Bryant’s halted speech reflects the two actions by which speech has been made static—once by Higgins and again by Hayes, who suspends Higgins’s action in time in order to contemplate its implications anew.