Born 1970, Baltimore. Lives and works in New York City.
Nel Mezzo, Tanya Leighton, Berlin
Echo, Moderna Museet, Stockholm
If They Should Ask, Rittenhouse Square, Philadelphia
In My Little Corner of the World, Anyone Would Love You, The Common Guild, Glasgow
In My Little Corner of the World, Anyone Would Love You, Studio Voltaire, London
Glasgow International, The Common Guild, Glasgow (forthcoming)
Mapping the Collection, Museum Ludwig, Cologne (forthcoming)
Commonwealth, Institute for Contemporary Art, Virgina
Read My Lips, Museum of Fine Arts, Boston
The Politics of Rhetoric, The Print Center, Philadelphia
'Gay Power' is a collaboration between Sharon Hayes, Kate Millett – a leading feminist author and activist since the 1960s – and the Women’s Liberation Cinema. The film in¬stallation utilizes footage shot by Millett and the Women’s Liberation Cinema docu¬menting the Second Annual Christopher Street Day Parade in 1971. The parade, which is still held annually, celebrates the Lesbian, Gay, Bisexual and Transgender community [are these meant to be capitalized??], and campaigns for liberation. The images of the 1971 demonstration, which took place just two years after the Stonewall riots, show a crowd of 6,000 marching from the West Village to Central Park, through a far more openly homophobic New York City than the one we know today. Hayes and Millet have created a voiceover soundtrack to accompany — or speak with — the footage. As two voices from different generations, Hayes and Millet address the footage and the ‘movement’ from two distinct historical positions. Neither voice commands authority over the moving image, intimating both the coherence and incoherence of historical documentation, and illuminating the ways in which history is often rewritten accord¬ing to the present.