25 July – 29 August 2020
10 – 12 September 2020
Gallery Weekend Berlin
Christine Roland and Kara Hamilton
At Kurfürstenstraße 156
Site-specific installation at Henry Art Gallery
University of Washington, Seattle
11 June 2020 – 7 February 2021
Suzanne Hudson, World of Art: Contemporary Painting, Thames & Hudson
Olomouc Triennale 2020: The Universal, curated by Gina Renotière
Diversity United. Contemporary European Art
Tretyakov Gallery, Moscow
11 November 2020 – 21 February 2021
Undo Things Done Exhibition Tour
Senedd, National Assembly for Wales
26 July – 9 September 2020
Masculinities: Liberation through Photography
Barbican Centre, London; Luma Foundation, Arles, and Martin Gropius Bau, Berlin
Tanya Leighton Gallery, Berlin, established in 2008, is dedicated to developing a cross-disciplinary, trans-generational gallery programme with off-site projects, in collaboration with artists, filmmakers, critics, art historians, and curators. Its international exhibition programme reflects a variety of opinions and practices as well as Leighton’s associations with American and British experimental cinema, artist’s film and video, performance, minimal and conceptual art.
Director: Simon Gowing
Director: Patrick Armstrong
Gallery Manager: Melanie Isabel García
Finance Manager: Stefan Schuster
Tanya Leighton GmbH
Kurfürstenstraße 156 & 24/25
Open Tuesday – Saturday
11am – 6pm and by appointment
19 March – 20 April 2013, Tanya Leighton, Berlin
Tanya Leighton is pleased to present the second solo exhibition of Welsh artist Dan Rees in Berlin. Rees (b. 1982, Swansea, UK) lives and works in Berlin.
This exhibition draws together Rees’ associations around the theme of solidarity and is directly inspired by two communities; the small Welsh town of Merthyr Tydfil (near Rees' hometown of Swansea) and the Central American country of Nicaragua. Inspired by a Welsh Nicaraguan Solidarity Campaign poster from 1986 encountered in the Merthyr Tydfil Ironworks Museum, Rees became intrigued by this specific demonstration of solidarity. Despite their geographical distance and distinct histories, organisers in Merthyr Tydfil formed the Wales Nicaragua Solidarity Campaign in 1986 in support of the Sandinista Revolution. The campaign continues to work with trade unions, campaigners and community groups against the effects of neo-liberal globalisation in Nicaragua.
Accordingly, Rees extends his on-going interest in Merthyr Tydfil and its legacy of labour organisation, post-industrial poverty and attendant issues of class and solidarity. Rees brings attention to how even during the painful years of deindustrialisation (with the last ironworks closing in 1987) Welsh organisers empathised with the struggles of Sandinista revolutionaries and worked to bring this into dialogue in their local community.
This project began at the beginning of 2013, when Rees visited Nicaragua with his brother-in-law, also a native of the UK. Rees asked his brother-in-law, a technically proficient amateur photographer, to make photographs while they were there for this exhibition. The resultant images, presented large-scale, combine portraits with the landscape of their trip. The collaborative nature of this project displays Rees’ communal engagement with the theme of solidarity.
Tanya Leighton presents these photographs alongside a booklet compiled by Rees. Enclosed within the booklet are the detailed images of pamphlets and posters Rees has photographed in the archive of the National Library in Aberystwyth of the Welsh Nicaraguan Solidarity Movement.