25 July – 29 August 2020
10 – 12 September 2020
Gallery Weekend Berlin
Christine Roland and Kara Hamilton
At Kurfürstenstraße 156
Site-specific installation at Henry Art Gallery
University of Washington, Seattle
11 June 2020 – 7 February 2021
Suzanne Hudson, World of Art: Contemporary Painting, Thames & Hudson
Olomouc Triennale 2020: The Universal, curated by Gina Renotière
Diversity United. Contemporary European Art
Tretyakov Gallery, Moscow
11 November 2020 – 21 February 2021
Undo Things Done Exhibition Tour
Senedd, National Assembly for Wales
26 July – 9 September 2020
Masculinities: Liberation through Photography
Barbican Centre, London; Luma Foundation, Arles, and Martin Gropius Bau, Berlin
Tanya Leighton Gallery, Berlin, established in 2008, is dedicated to developing a cross-disciplinary, trans-generational gallery programme with off-site projects, in collaboration with artists, filmmakers, critics, art historians, and curators. Its international exhibition programme reflects a variety of opinions and practices as well as Leighton’s associations with American and British experimental cinema, artist’s film and video, performance, minimal and conceptual art.
Director: Simon Gowing
Director: Patrick Armstrong
Gallery Manager: Melanie Isabel García
Finance Manager: Stefan Schuster
Tanya Leighton GmbH
Kurfürstenstraße 156 & 24/25
Open Tuesday – Saturday
11am – 6pm and by appointment
12 December 2013 – 23 February 2014, Le Plateau, Paris
The Frac Ile-de-France / The Plateau presents the first solo exhibition in Paris of Alejandro Cesarco, a Uruguayan artist born in 1975, living and working in New York.
As part of an approach that seems to draw a form of self-portrait, Alejandro Cesarco is interested in the very translation of the feelings that one experiences in the face of the real and his works, be they videos, drawings , photographs or textual compositions, recurrently and reflexively address the problems of narration, memory and language.
In this context, the artist loudly claims his affinities, not hesitating to summon within the works some of his illustrious predecessors - from James Joyce to Roland Barthes, from Marguerite Duras to Jean-Luc Godard ... - who like him worked in this perspective.
The exhibition at Plateau is exemplary of a form of appropriation that is here pushed to the extreme: it integrates a series of works by Jack Pierson, Louise Lawler and Felix Gonzalez-Torres who occupy a primordial place in the score we play Alejandro Cesarco.
Secondary Revision: according to Freud, this is the moment when we manage to connect and give meaning to the multiple images that appear to us while dreaming. There is no doubt that this same principle of crystallization is activated here - a second reading, in short - in view of the many sources that impose themselves on the artist ...