FOR WHAT WE HAVE, Cardonald, Hillhead, and Ibrox Libraries, UK

chased losses, Temple Bar Gallery, Dublin

distant borrowing, Tanya Leighton, Berlin

Undo Things Done, Tŷ Pawb, Wrexham; Senedd, National Assembly for Wales; Bluecoat, Liverpool

Wales in Venice/Cymru yn Fenis, 58th Venice Biennale, Venice

\||//\||//||//\||//||\||//, University of South Wales, Cardiff, UK

Sean Edwards, Recent Activity, Birmingham, UK

Just A Little Glass Of Water, Trieze, Paris

Still, Title Data Duration, Manchester
Sean Edwards: Drawn in Cursive (Part 3), MOSTYN, Llandudno, UK
Sean Edwards: Drawn in Cursive (Part 2), Network, Aalst, BE
Sean Edwards: Drawn in Cursive, Oriel Mostyn, Llandudno, UK
Putting Right, Limoncello Gallery, London

Sean Edwards: Drawn in Cursive, Netwerk, Aalst, Belgium (catalogue)
Sean Edwards: Drawn in Cursive, Chapter Arts Centre, Cardiff, Wales (catalogue)

Resting Through, Kunstverein Freiburg, Germany

Remaining Only, Tanya Leighton, Berlin
Putting Right, Limoncello, London (catalogue)
Maelfa, Spike Island, Bristol (catalogue)
Writing Small, L’autonomie 9, Brussels

No dust adheres, Chapter, Cardiff (Cinema Screening and Book Launch)
Myself alone again, Enrico Fornello, Italy
For her at this moment, Frank Elbaz, Paris
No dust adheres, Outpost, Norwich (catalogue)

Somewhere Near The Black Mountain Hills (with Dan Rees), Tanya Leighton, Berlin
Nebraska (CBS 25100), Limoncello, London

difference between the to, with Sara Mackillop, ALP / Peter Bergman, Stockholm
Turning it around, slowly, in the light, (as part of Nought to Sixty), ICA, London (catalogue)
Notes concerning some of the objects that are on my kitchen table, Super, Paris
It’s not what we wanted but we’ll settle, Moot, Nottingham (catalogue)
I am you to (with Giorgio Sadotti), Limoncello, London

I am you (with Giorgio Sadotti), Limoncello, London
…Picture Books of the Pyramids and Her Postcards of Billy the Kid, Associates, London

Sean Edwards, Offsite Project at Chapter Arts Centre, Cardiff
Sean Edwards, S1 Artspace, Sheffield

anywhere in the universe, The Common Guild, Glasgow

British Art Show 9, University of Wolverhampton School of Art, Wolverhampton; Manchester; Plymouth
The World We Live In, Southbank Art Centre, London

Olaph the Oxman, Copperfield Gallery, London

Harness your Hiraeth, Perlico, Oriel Wrecsam, Wrexham, UK
49a, Limoncello, Woodbridge, United Kingdom
This is Your Replacement, Sies + Höke, Düsseldorf
good things come..., The Gallery at Plymouth College of Art, Plymouth
Thickness on paper (draft 2), Bluecoat, Liverpool

Colmare il bocciolo/ combattere il verme/regolare il calore/eludere il vento/sfuggire all’ape, Museo Casa Ivan Bruschi, Arezzo, Italy
Bohemia club inaugural exhibition, Bohemia Club, St. Leonards-on-Sea, UK
Finite Project Altered When Open, David Dale Gallery & Studios, Glasgow
Totemic; Polemic.,Caustic Coastal, Manchester
Un Nouveau Festival 2015: Air de jeu, Centre Pompidou, Paris
Life Like, Transmission Gallery, Glasgow

Des Choses en Cours – Things to Unfold, Préface, Paris
A Sense of Things, Zabludowicz Collection, London

One Hundred Foot (screening curated by Jim Hobbs), University of Nottingham

This dialogue is fine but a decision is always an alone act. Concepts are never perfect, complete or exhausted. I want to make that fleeting moment permanent somehow. “Your errors are your key”. She made me believe in not linear projects, in parallel or secondary structures, in error and failure as a starting point. Sorry I've just realized I’m thinking about a different work., Noestudio, Madrid
Painting-Versus-Object, Standpoint Gallery, London
Detective (curated by Adam Carr), Galerie Andreas Huber, Vienna
One Hundred Foot (screening curated by Jim Hobbs), The Big Screen at Latitude Festival, Suffolk, UK
The Man Don’t Give A Fuck, Motorcade Flashparade, Bristol
Malerei: Painting as Object, Transition Gallery, London; Newbridge Project Space, Newcastle
Finger, Hidde van Seggelen Gallery, London

Forth and Back, Furnish Space, London
Radical Autonomy 2, Network, Aalst, Belgium
Tool Use, Oonagh, Dublin (catalogue)
In All Ways and Places, Ollerplex Un-plex (curated by Melanie Counsell), Oriel Sycharth Gallery, Wrexham, Wales
3rd Athens Biennale 2011 Monodrome (curated by Nicolas Bourriaud and X&Y), Athens
The Shape We’re In, Zabludowicz Collection, London; New York
Limoncello Yellow, The Bakery, Anna Gelink Gallery, Amsterdam

Pile, Surface Gallery, Nottingham; Chapter, Cardiff
15, S1, Sheffield
Sold Out, Elastic Residence, London
Fischgrätenmelkstand (curated by John Bock), Temporary Kunsthalle, Berlin (catalogue)
The Way We Do Art Now (curated by Pavel Buchler), Tanya Leighton, Berlin
Quantos Queres, Galeria Marz, Lisbon
Field Project (Live Broadcast curated by Rebecca Birch and Rob Smith), Wysing Arts, Cambridge
Being is what it is (curated by Matthew Richardson), 38 Elderfield Road, London
A Stranger’s Window (project curated by MOOT as part of the Contemporary Art Society’s Centenary Programme), Nottingham Castle Museum & Art Gallery, UK
A very, very long cat, Wallspace Gallery, New York
We have the mirrors, we have the plans, Oriel Mostyn, Llandudno, UK (catalogue)

Just Around the Corner (curated by Direlia Lazo), Casa Encendida, Madrid
6: A Troubling Metamorphosis of Loose Ideas into Cast Forms, Lisson Gallery, London

100 Years, 100 Artists, 100 Works of Art, Art on the Underground commission, A Foundation, London (catalogue)
In It’s Wake (curated by Lisa Peachey), Elevator, London
Dogtooth and Tessellate (curated by Michelle Cotton & Emma Robertson), Approach E1, London
Lure, Frank Elbaz Galerie, Paris
18, Center, Berlin
Writing Objects (curated by Lindsey Hanlon), Art:Concept, Paris
To be alert is to be decorative (curated by Lindsey Hanlon), Ten Til Ten, Glasgow
Arts Futures, Bloomberg Space, London
Associates in New York(curated by Paola Clerico), Phillips de Pury, New York (catalogue)
In Focus Centrum//////London, Seattle Art Museum

Took My Hands Off Your Eyes Too Soon (curated by Ryan Gander), Tanya Bonakdar, New York
The Suitcase Project, Beaver Arts (curated by Thor Nørmark-Larsen and Liberty Paterson), Copenhagen and The Old Library, Cardiff
Business as Usual, Angel Row Gallery, Nottingham (catalogue)
Pilot: 3, Venice Biennale, Venice (catalogue)

Six Shows in Six Weeks, Moot, Nottingham
Mostyn Open 06, Oriel Mostyn, Llandudno, Wales (catalogue)

National Eisteddfod, Y Fellinehelli, Bangor, Wales (catalogue)
Twenty to One, One Canada Square, London
Super 8 Show (curated by Richard Bevan), g39 Temporary Contemporary Artspace, Cardiff, Wales

National Eisteddfod, Newport, Wales (catalogue)
Launch, Station, Bristol

New Art04, Washington Gallery, Penarth, Wales
Catalyst, Tactile Bosh, Cardiff, Wales
ishow03, Rise Studios, Cardiff, Wales

Super8station, Station, Bristol